NUMA BEATZ and GioGio join forces in ‘Roll to Role’ from their album CLASSIC. The duo writes lyrics and composes a beat that dives deep into hip-hop culture. They mix sharp rhymes with a steady flow, asking, ‘What’s my role in the underground?’.
Released: December 10, 2025
Roll to Role
Giogio | Numa Beatz • From “CLASSIC”
Roll to Role Lyrics Translation – CLASSIC Soundtrack
GioGio describes the struggles of staying true to the culture in a competitive world. He says, ‘I’ll keep playin’ this rap game until my number comes up.’ The lyrics highlight the balance between gambling on success and preserving the art form’s legacy.
Come outCome out,
Come outcome out.
SwampyyyySwampy.
I’m rollin’ on the microphoneI’m rollin’ on the microphone.
I’m talkin’ ’bout the culture dawgI’m talkin’ about the culture, dawg.
What’s my role in the undergroundWhat’s my role in the underground?
Come out and say just say come outCome out and say it, just say, ‘Come out’.
I’m rollin’ on the microphoneI’m rollin’ on the microphone.
I’m talkin’ ’bout the culture dawgI’m talkin’ about the culture, dawg.
What’s my role in the undergroundWhat’s my role in the underground?
Come out and say just say come outCome out and say it, just say, ‘Come out’.
Let’s roll mawashiteku pensaki to flowLet’s roll, spinnin’ the pen tip and the flow.
Mawarimeguru kankyou ni ima mo kurouStill strugglin’ in these dizzyin’ surroundings,
Soredemo mic to dice wo rollbut I still roll the mic and the dice.
Shikkari to fuyashiteku bankrollSteadily increasin’ the bankroll,
Fueru maimen kotoba wo kaitenmy homies multiply as I spin these words.
Me ga deru made tsuzukeru kono rap gameI’ll keep playin’ this rap game until my number comes up.
1 2 3 4 5 6 come on1, 2, 3, 4, 5, 6, come on.
Me ga deru made tsuzukeru kono dice gameI’ll keep playin’ this dice game until I hit it big,
Atosaki kamawazu zengaku betbettin’ the whole stash without worryin’ about the fallout.
Aratana knowledge de upgradeUpgradin’ with fresh knowledge,
Ageru kakuritsu my style wo kakuritsuraisin’ the probability as I establish my style.
Touzoku no yarikata de egaku beatsSketchin’ beats with a thief’s technique,
Swampy and G kanpeki word upSwampy and G, flawless, word up.
Culture wo mananda masterpieceA masterpiece learned from the culture,
Hasan kakugo de kaku kashiwritin’ lyrics prepared to go bankrupt.
Ore niwa kore shika nai gambling sh#tThis gamblin’ sh#t is all I’ve got.
I’m rollin’ on the microphoneI’m rollin’ on the microphone.
I’m talkin’ ’bout the culture dawgI’m talkin’ about the culture, dawg.
What’s my role in the undergroundWhat’s my role in the underground?
Come out and say just say come outCome out and say it, just say, ‘Come out’.
I’m rollin’ on the microphoneI’m rollin’ on the microphone.
I’m talkin’ ’bout the culture dawgI’m talkin’ about the culture, dawg.
What’s my role in the undergroundWhat’s my role in the underground?
Come out and say just say come outCome out and say it, just say, ‘Come out’.
Kane to warusa no flex ga yatsura no roleFlexin’ cash and bad behavior is their role,
Culture legacy tsutaeteku my rolebut passin’ on the culture’s legacy is my role.
But I never play shindemo kui wa neeBut I never play, no regrets even if I die.
Never stay more gain mou tomaraneeNever stay, more gain, I ain’t stoppin’ now.
Imada ni iwareru dareka fuu daPeople still tell me I sound like someone else.
Tashika ni akogareta where da hood atSure, I admired ‘Where the Hood At’,
Shikkari to moratta legacy to energybut I firmly inherited that legacy and energy.
Tsugi ni tsutaeru tame nigiru micGrippin’ the mic to pass it on to the next one,
Dice wo tebanashite hiraita meI tossed the dice and opened my eyes.
Mic wa hanasazu ni dashita meNever let go of the mic and made my own mark.
Elements to tomo ni kakitameruStockpilin’ rhymes along with the elements,
Kotobatachi to mata shitatameruwritin’ them down again with these words.
Onaji oto demo igi ariSame sound, but a different meaning.
Matsubi wa L kara E ni nariThe ending changes from L to E,
Yatsura wa ima demo P I M Pwhile they’re still just P.I.M.P.
Staff roll wa mochiron Swampy and GThe staff roll is, of course, Swampy and G.
I’m rollin’ on the microphoneI’m rollin’ on the microphone.
I’m talkin’ ’bout the culture dawgI’m talkin’ about the culture, dawg.
What’s my role in the undergroundWhat’s my role in the underground?
Come out and say just say come outCome out and say it, just say, ‘Come out’.
I’m rollin’ on the microphoneI’m rollin’ on the microphone.
I’m talkin’ ’bout the culture dawgI’m talkin’ about the culture, dawg.
What’s my role in the undergroundWhat’s my role in the underground?
Come out and say just say come outCome out and say it, just say, ‘Come out’.
Roll to Role Music Video
‘Roll to Role’ lyrics are about finding one’s place in hip-hop culture. NUMA BEATZ and GioGio deliver a powerful statement on legacy and perseverance in this track.